Julie tells me how she tries and keep her eye focused on art during her hectic lifestyle. Having attempted a few art courses she has never managed to finish them and therefore she considers herself largely self-taught. At forty she was able to have her own home studio (protected by a stair-gate!), allowing her to come and go from her work as and when. Julie says "I had my first daughter at 25, before that I had time and I wasted it, I had no perception of how precious life was. If you are desperate enough you learn to be flexible and adaptable. Every experience can be channelled into expression, frustration can become passion seen in a flurry of marks on the canvas or clay at the end of the day when the children are asleep. During day to day tasks a partition of my mind is always open to creativity. If circumstances are limiting I study the ordinary. Necessity has been the mother of my invention."
Julie's painting style takes me back in time to when I was studying art in Italy and experimenting with various subjects for my paintings. Her way of combining different situations in one painting makes the image become a narrative - almost like stills from a motion picture. Some of her work combines dream-like situations and reality, some others in - true Desperate Artwife style - relates to the everyday and private life. Death, memories, resignation, daydream, childhood...
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| Dad |
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| Fabrication |
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| The other mother |
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| Mausoleum of motherhood |
Julie condenses her life experiences into her work and like a good book, it unfolds stories we all can connect to. And like a good book it remains with you long after you've finished looking at it.
Amy Dignam 2014 ©







